|
Vision and
Representation © |
|
| Egon von Vietinghoff's Philosophy (in his own
words) |
|
Complete
manuscript in German |
| Contents |
| 0 |
Preface (English) |
| 1 |
Vision
and representation |
| 1.1 |
Intuition,
inspiration, imagination, vision |
| 1.2 |
Terms, concepts and content of art |
| 1.3 |
Motivation and subject |
| 1.4 |
Psychological aspects of art |
| 1.5 |
Form of expression |
|
|
| 2 |
Transcendental art and decorative art |
| 2.1 |
Fundamental differences |
| 2.2 |
Essentials of decorative art |
| 2.3 |
Interconnections between transcendental and decorative art |
| 2.4 |
The subjectivity of judging art |
| 2.5 |
Aspects of art in architecture |
|
|
| 3 |
Representional and abstract art |
| 3.1 |
Alleged analogies between the visual arts and music |
| 3.2 |
Critiques of abstract art |
|
|
| 4 |
Naturalism
and resemblance to nature |
| 4.1 |
Critiques of naturalism |
| 4.2 |
Visual and transcendental depiction of nature |
| 4.3 |
Mutation of the natural image |
| 4.4 |
Pattern and symbol |
| 4.5 |
Conceptual and intentionalimaginations |
| 4.6 |
The lack of arstistic skill in representing the imagination |
|
|
| 5 |
The representation in painting |
| 5.1 |
The transmission of the visual imagination into a painting |
| 5.2 |
The pure visual view |
| 5.3 |
The spatial limitation of the represantation in painting |
|
|